Alexandra Road Estate, Camden
1972-78
Neave Brown for Camden Borough Council
https://www.modernism-in-metroland.co.uk/alexandra-road.html
built in 1962, Bangunan Tuanku Syed Putra houses the Penang General Post Office. The building's grid facade and modernist design reflect architectural continuity and peace, symbolising interconnectedness and harmony in Malaysia\u2019s urban landscape
#modernism #ricohgr3 #grid #malaysia #photo #asia #photography #urban #postoffice#1962 #building #architecture #peaceful #penang #office #government
Whitelands, Gregories Road, Beaconsfield
1933
Collcutt & Hamp
MODERNIST DECORATIVE ELEMENT
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#architecture #art-nouveau #floral-decoration #Gaudí-style #marble #Catalan #modernism #ornamental-motif #plant-motif #polished-stone #stock #photography
“What is remarkable is that Muir did not become a social realist, like W.H. Auden, Cecil Day-Lewis, Stephen Spender, and other related British poets during the 1930s, who didn’t know anything close to what Muir knew directly about urban poverty”
—Andrew Frisardi on the life & work of Edwin Muir
9/8
https://www.sacredweb.com/volume-51/the-good-life-of-edwin-muir/
I’m getting back to Flipboard for my reading again so I can cut down on the noise. Happy to share this read from long ago. #architecture #modernism https://flipboard.com/@stellarvisions/ideaorange-segments-of-colorful-thinking-vbtp34ily/-/a-z86yJ8IURFyPNlVD2iEN-g%3Aa%3A4200883-%2F0
MODERNIST STYLE CEILING
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#ceiling #architecture #modernism #casa-anita-rodés #barcelona #catalonia #blue-color #yellow-color #pink-color #green-color #daytime #pink-background #vertical-format #color-photography #shadow #stock #photography
Chiswick Park Underground Station
1933
Charles Holden
"The Cathedrals of Broadway," Florine Stettheimer, 1929.
I've featured Stettheimer (1871-1944) before, so no point in going over her biography, except to note that she was not only a painter, but a designer of theatrical sets and costumes.
This Modernist painting shows her theatrical roots. She's got neon signs, a proscenium arch, a ticket window, ushers, the whole works. It's a neon-lit fantasia of the real "cathedrals" of Broadway, giving escapist entertainment to people of the Depression.
It's very much its own thing, being partly representational but also bizarrely surreal, echoing the work of Chagall.
From the Metropolitan Museum of Art, New York.