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#crucifixion

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A thought for this Holy Week.

Crucifixion was not about execution; not really. There are much easier ways to accomplish that. It isn't even about torture, though it was torturous.

Crucifixion is a means of shaming someone into oblivion. It is an extreme form of bullying: one in which the Roman goons assert dominance by publicly degrading their victim to death.

There are several clues in the gospel stories that the shame of crucifixion was far worse than we imagine.

I say this not to dwell on suffering. But if you have suffered shame and degradation; if you have been disposed of and mocked and your reputation destroyed; you are in the best of company. They did this to Jesus. And the shaming of this righteous man is turned right back on his bullies in the crucifixion. The mirror Jesus holds up to our lives, that we might see ourselves more truly, now casts that shame back on them.

God is the bullied one, and the one who stands against all bullies. He endures even this for our sake; and in the end, his Father raises him from the grave to new life. He is vindicated. And in him, so are you.

Die Generalprobe gestern lief super. Im Tenor sind wir zu viert. Drei intensive Stunden. War ganz schön erschöpft. Das wird ein eindrucksvolles #Konzert an #Karfreitag. Ruppels #Crucifixion steht auf dem Programm. Posaune und Kontrabass passen sehr gut, habe wir gestern das erste Mal zusammen gehört

Weitere Infos zum Konzert der Bad Schwalbacher Kantorei am 18.04.2025, 15 Uhr in der Reformationskirche: badschwalbach.ekhn.de/termine/

badschwalbach.ekhn.deKonzert zur Todesstunde Jesu: EKHN ǀ Evangelische Kirche in Hessen und Nassau

It's strange to many people that the horrific death by #crucifixion of #Jesus is so important to #Christian belief. Here are some of my thoughts on this, in a #sermon for Palm/Passion Sunday in 2019. It's based on the #lectionary texts for this coming Sunday
#PalmSunday
#PassionSunday
peterwnimmo.co.uk/2022/04/07/t

Rev Peter W Nimmo · The Strange Power of the Cross: a sermon for Palm/Passion Sunday
More from Rev Peter W Nimmo
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@warandpeas La crucifixion de JC est le résultat d'un contexte historique et socio-culturel complexe. Jésus, considéré comme un dissident juif, menaçait l'ordre établi par l'Empire romain, ce qui a suscité la peur des autorités. Culturalement, sa mort coïncide avec la Pâque juive, une fête symbolisant la libération, ce qui a amplifié la tension. Les dynamiques de pouvoir, les manipulations politiques et les croyances religieuses ont conduit à sa condamnation. #Jésus #Histoire #Crucifixion ✝️🕊️

Octávio Araújo (Brazilian, 1926–2015), Cristo favelado (Slum Christ), 1950. Oil on canvas, 64 × 53 cm. Collection of the Instituto de Pesquisas e Estudos Afro-Brasileiros (IPEAFRO), Rio de Janeiro. Photo: Victoria Emily Jones, at Afro-Atlantic Histories at the National Gallery of Art, Washington, DC, June 2022. #arthistory #art #crucifixion

From Victoria Emily Jones, Art & Theology, July 5, 2022: “Artist Octávio Araújo entered this painting in the Black Christ contest held in 1955 by the Teatro Experimental do Negro (Black
Experimental Theater) in Rio de Janeiro (I mentioned this contest previously in relation to another submission, a painting by Djanira da Motta e Silva). It shows Christ crucified in a Brazilian favela, his Roman tormentors replaced with military police officers, perpetrators of state-sanctioned violence against the nation's Black people.”