A Cartoonish spraycan bySket185, born Sven van Hermon. Sket started in 1984, using names like BASIC, JEL, and SET. After a brief break due to an arrest in 1988, he returned with renewed energy. 
Sket is part of the “Multi Syndicate Crew” (MSC).
He’s worked with artists like OXALIEN (in this pic on his right), EDO RATH, ZASE, and NILS WESTERGARD on multiple pieces.
#Amsterdam #sket185 #spraycan #publicart #photo #urbanart #mokum #noir #xxx #bnw #photography #concretejungle #artiseverywhere #streetphotography #ndsm #arte #artwork #mural #artwork #painting #blackandwhite #graffiti #msc #oxalien #tag #asa #spraycanart #ox #brickwall #multisyndicatecrew
Sket is part of the “Multi Syndicate Crew” (MSC).
He’s worked with artists like OXALIEN (in this pic on his right), EDO RATH, ZASE, and NILS WESTERGARD on multiple pieces.
#Amsterdam #sket185 #spraycan #publicart #photo #urbanart #mokum #noir #xxx #bnw #photography #concretejungle #artiseverywhere #streetphotography #ndsm #arte #artwork #mural #artwork #painting #blackandwhite #graffiti #msc #oxalien #tag #asa #spraycanart #ox #brickwall #multisyndicatecrew
![photo of the ritual ox tripod and its gallery label on display at museum…big! “北宋政和 銅牛鼎 Ritual ox tripod (niuding) Northern Song dynasty (960-1127), 1114 Copper alloy Hebel Museum, Shillazhuang This large cauldron was cast for Emperor Huizong's use at the altar of the Grand Chamber (Taishi), the Imperial Ancestral Temple. Its three-legged shape and the stylized wave pattern encircling its body emulate an archaic bronze, while ox heads atop each of the legs reference a contemporary ritual practice recorded in the tenth-century manual Sanli tu (Illustrations to the three classics on rites): it describes three types of cauldrons (with animal-head ornaments) as containers for the three sacrificial animals-ox, lamb, and pig. The vessel demonstrates that, in addition to rigorously studying past models, Emperor Huizong's craftspeople incorporated design elements that reflected contemporary conventions. Inscription 惟甲午八月丙寅，帝若稽古，筆作宋器，審厥象，作牛鼎，格於太室，迄用享，億寧神休，惟帝時寶，萬世其永賴。 On the bingyin day of the eighth lunar month of the jiawu year [of the Zhenghe reign], the emperor investigated antiquity and took the initiative to make ritual vessels. He described the appearance of an "ox" ding tripod and made this for the Great Chamber to be used for offering peace and blessings. May it be eternally treasured and used for all time.”](https://media.historians.social/media_attachments/files/114/220/082/247/381/469/original/59c16e18e1e428c4.png "photo of the ritual ox tripod and its gallery label on display at museum…big! “北宋政和 銅牛鼎 Ritual ox tripod (niuding) Northern Song dynasty (960-1127), 1114 Copper alloy Hebel Museum, Shillazhuang This large cauldron was cast for Emperor Huizong's use at the altar of the Grand Chamber (Taishi), the Imperial Ancestral Temple. Its three-legged shape and the stylized wave pattern encircling its body emulate an archaic bronze, while ox heads atop each of the legs reference a contemporary ritual practice recorded in the tenth-century manual Sanli tu (Illustrations to the three classics on rites): it describes three types of cauldrons (with animal-head ornaments) as containers for the three sacrificial animals-ox, lamb, and pig. The vessel demonstrates that, in addition to rigorously studying past models, Emperor Huizong's craftspeople incorporated design elements that reflected contemporary conventions. Inscription 惟甲午八月丙寅，帝若稽古，筆作宋器，審厥象，作牛鼎，格於太室，迄用享，億寧神休，惟帝時寶，萬世其永賴。 On the bingyin day of the eighth lunar month of the jiawu year [of the Zhenghe reign], the emperor investigated antiquity and took the initiative to make ritual vessels. He described the appearance of an \"ox\" ding tripod and made this for the Great Chamber to be used for offering peace and blessings. May it be eternally treasured and used for all time.”")
Teresita
Sayuri.H
