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#postmodern

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Designed by Blackcatstudio, this minimalist poster template features a bold geometric pattern with stylized eyes, emphasizing diversity with a standout red eye. Available in US Letter and A4 formats, it embodies modern postmodernism with the tagline, “Build strength in our differences.” weandthecolor.com/bold-postmod #poster #retro #vintage #graphicdesign #posterdesign #retroposter #postertemplate #postmodern

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“Illuminated by lightning flashes of descriptive brilliance, Brown’s prose evokes melodrama, Greek tragedy and postmodern alienation…”

You can download a free ebook edition of THE HOUSE WITH THE GREEN SHUTTERS from @gutenberg_org

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gutenberg.org/ebooks/25876

Project GutenbergThe House with the Green Shutters by George Douglas BrownFree kindle book and epub digitized and proofread by volunteers.
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“To pick up a pen is to place oneself outside the community in the act of being self-conscious about it. As Burns discovered, it is not really possible to write about community and remain uncompromised within it.”

—read Dorothy McMillan’s essay “Rural Realism”, on George Douglas Brown’s THE HOUSE WITH THE GREEN SHUTTERS

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thebottleimp.org.uk/2022/05/ru

The Bottle Imp · Rural Realism - The Bottle ImpWhat follows is the text of the McNeillie Lecture, which I gave at the Wigtown Book Festival, 2006. Some recent interest in The House with the Green Shutters has prompted me to reproduce the lecture here. It has never been published and may provide readers with some thoughts, not academic, but I hope still of […]

George Douglas Brown (1869–1902) was born #OTD, 26 Jan – best known for his 1901 novel THE HOUSE WITH THE GREEN SHUTTERS

“…the TRAINSPOTTING of its day… an angry young man’s response to the misrepresentation of contemporary Scottish life and the industrial and spiritual changes taking place”

A 🎂 🧵

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list.co.uk/news/39535/george-d

Remember folks, this is not the fascism of your great grandfather, this #postmodern #fascism

Denial of doing fascism while letting you know and rubbing it in your face is integral. Trolling and manufacturing reality in a way which is designed to trap you while trying to dispute their camoflage is by design.

Projection of power & total domination of the script has not changed though. Neither has the victimhood rhetoric.

This is a watershed moment. The apologists are clear, like in the 1930’s.

@SnowshadowII A liar need not be considerate of the truth

It’s going to the same direction as Trumpian politics: You know it’s not real, but it’s so enjoyably pushing all the buttons you want to be pushed (racism, homophobia, whatever your poison), and because ”it’s not real” it’s not harmful those buttons get pushed, so you go along and even pay money for it

The #postmodern nightmare society is here: First it’s all a WWF wrestling show, eveywhere. But you can’t tell where it ends!

One word #kayfabe : Acknowledging the staged, scripted nature of (US) professional #wrestling

This is what unlocks the Trump presidencies: His relationship with the audience that acknowledges kayfabe, and are now enjoying the show in #uspolitics

This #audience is not moved by ”Trump is a threat” or ”Trump is evil”, that just means the kayfabe is working

The script can be flipped, realities rolled-in at any time to become a part of it. The most #postmodern show

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open.spotify.com/episode/5StRH

SpotifyBrief: Trump the Babyface, Trump the Heel (w/Abraham Josie Reisman)Conspirituality · Episode

Why the western world is falling for lies right now, is because we don’t know our #postmodern theory.

If we did, we would have understood politics is about narrative, not facts.

We would have understood our own privileged position thinking politics is about that.

We would have understood limited choices of the poor or poorly educated make them appear stupid from the point of view of the more privileged.

This is also woke. Apply it to yourself. The #altright sure does!

Es war für mich heute eine sehr beindruckende Vorstellung: Lucinda Childs Dance Company "Dance".

Eigentlich 3 alte Stücke heute in einer Überlagerung der originalen SW-Filme aus den frühen 70er Jahren mit synchronen Lifetänzer:innen auf der großen Bühne des Haus der Berliner Festpiele. Auch die Lifeperformance wirkte durch eine Gaze wie ein Film und es war ein spannendes Spiel mit Maßstäben zwischen den Originalfilmaufnahmen und dem Tanz im Jetzt, die sich fließend durchmischten. Dazu die treibende repetitive Musik von Philip #Glass, die das Publikum wie in Trance eines LSD-Trips aus der Zeit des Entstehens versetzte.

Ich war erstaunt, wie gut Film und #Tanz hier zusammengingen. Am Sa. will ich zu einer weiteren Aufführung dieser Ikone des #postmodern #dance gehen, wo die 84jährige selber tanzen wird. Ich freue mich sehr, denn die heutige #Performance machte Lust auf mehr.
@fediarts