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Public
ChrisR

Not the golden hour... flooded field in !

, SMC K 55/1.8, reversed expired Kodacolor 200 at EI 50, lab dev & scan by Filmdev.

Colour photo of a flooded field reflecting a clump of trees. The image is dominated by a golden/orange colour, which comes from the use of a reversed colour film.
#BelieveInFilm#FilmPhotography
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ChrisR

Trees dancing? Intentional camera movement () with

, SMC K 55/1.8, reversed expired Kodacolor 200 at EI 50, lab dev & scan by Filmdev.

Orange-coloured portrait format phot showing vague vertical shapes with some diagonal streaks. Nothing is in focus. There could be just a suggestion of two trees dancing together!
#BelieveInFilm#FilmPhotography
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ChrisR

Fire and light? (Crackley Wood...)

Intentional camera movement () with

, SMC K 55/1.8, reversed expired Kodacolor 200 at EI 50, lab dev & scan by Filmdev.

Colour photo, mostly orange streaks, darker at the bottom and light at the top, it might almost be fire but instead it's the trees of Crackley Wood taken on reversed film by moving the camera.
#BelieveInFilm#FilmPhotography
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ChrisR

Castle and flood, one of the few passable photos from the expired Tri-X roll afflicted by print-through.

Fuji , TRi-X expired 2018, yellow filter, EI 400, home dev in HC-110 dilution E in the Lab-box.


Black and white photo showing a ruined castle reflected in flood waters, with a ragged sky above. There is little detail in the scene from this grey day.
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ChrisR

Castle in the sun. This is a roll of expired 200 from my pocket camera. A roll does often take quit a long time, given I'm mostly interested in black and white in cameras where I have more control, so most images on this roll are from last autumn!

Developed and scanned by Filmdev.

Photo of Kenilworth Castle in late afternoon autumn light, with a cloudy, slightly yellowed sky above. The foreground grass is in shadow, but still shows a sliver of water from one of the many floods we've had in the past 6 months.
#BelieveInFilm#FilmPhotography
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ChrisR

Autumn beech tree colour. This area is right beside the main road into Coventry, a 2-mile long avenue with woodland strip each side. A taxi-driver once told me an American passenger had labelled this road a "million dollar ride to a ten cent city"! Ouch.

Expired 200 in mju2, dev/scan by Filmdev.

A large beech tree stands to the left of this colour image, its leaves bright yellow in the autumn sun. A small tree stands further right, and the floor is carpeted with orange leaves.
#BelieveInFilm#FilmPhotography
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ChrisR

Stile in the sun. (I'm never sure how much the concept of a stile needs explaining to folk who don't have ancient footpath rights of way, but I guess it's self-explanatory!) The field it leads into is known locally as "Parliament Piece", see khas.co.uk/archives-parliament.

Expired 200 in mju2, dev/scan by Filmdev.


A wooden stile, a bit of low wooden fence with a board set to help a walker get over, leads into a field in the afternoon sun. The sun shines on the brambles nearby, but the further trees are in shadow. Colour photo.
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ChrisR

Playing on the beach at Portobello. That's the Figgate Burn flowing out to sea.

Expired 200 in mju2, dev/scan by Filmdev.


Colour photo of children playing beside a stream flowing strongly across a beach to the Firth of Forth. The sky is greay with a slight tinge of colour, but otherwise the colours are muted.
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ChrisR

It's damp!

, SMC M 35/2 lens. 400 at box, home dev in HC-110 dilution E.


Damp paving slabs on the approach to a supermarket (guarded by metal posts) reflect the alley between two coffee shops, where two people approach. Black and white photo.
Public
ChrisR

Splash! More local entertainment in the wet.

, SMC M 35/2 lens. 400 at box, home dev in HC-110 dilution E.


A car drives through the local ford when it has flooded, raising a splash higher than the car's roof. A group of locals stand at the railings on the left, while a young man walking towards the camera turns to look back. Bare winter trees behind. Black and white photo.
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ChrisR

Afternoon light.

, SMC M 35/2 lens. 400 at box, home dev in HC-110 dilution E.


Black and white photo showing the silhouetted castle through a fringe of trees, over a meadow with tussocks of grass showing strongly in the low afternoon sun.
Public
ChrisR

Magnolia.

, SMC M 35/2 lens. 400 at box, home dev in HC-110 dilution E.


Black and white photo of a profusion of light-coloured, slightly veined magnolia blossoms against a background of dark twigs.
Public
ChrisR

Graceful winter trees in The Common.

, SMC M 35/2 lens. 400 at box, home dev in HC-110 dilution E.


Black and white photo of a glade through sparse winter trees with little undergrowth. They appear to be swaying this way and that, but frozen in the act.
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ChrisR

Larch forest.

, SMC M 35/2 lens. 400 at box, home dev in HC-110 dilution E.


A forest of larch tree trunks in winter, mostly bare and vertical but a couple leaning diagonally in this black and white portrait format photo.
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ChrisR

Three cars in the Alvis yard. The Coventry factory stopped production in 1967, but since 1968 the Red Triangle company has been maintaining and now re-manufacturing Alvis cars in Kenilworth!

, SMC M 35/2 lens. 400 at box, home dev in HC-110 dilution E.


Black and white photo showing 3 old cars against a wooden fence. Two men are peering under the bonnet of the second car.
Public
ChrisR

Castle Green.

, SMC M 35/2 lens. 400 at box, home dev in HC-110 dilution E.


Black and white photo showing a wooden bench in the foreground, behind it an old-fashioned street lamp and a waste bin. Two roads come fgrom left and right to meet and continue up through the image with a grassy area to its right. At the right hand edge is a public house, beyond it a strip of cottages. At the left is a conifer and a car park.
Public
ChrisR

News and tobacco kiosk in Sofia, Bulgaria, early 1970. Taken with my 1 with (not Plus) film; no meter (I used the metering hints inside film boxes in those days, essentially Sunny 16).

I worked in Sofia for 4 months at that time, so plenty of time to get to know the communist world a little. The adventures there are described in a series of blog posts starting at unsustainableideas.wordpress.c .



Black and white photo, taken in bright sunshine in winter on what is obviously a cold day, showing a "PressPoint" (name in Cyrillic text) selling postcards, newspapers, cigarettes etc. There are several people, all in heavy coats; one woman wears a head scarf. Two telephone boxes on the right of the picture are in use and a woman is waiting her turn.
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ChrisR

Stratford Canal. This is taken on the bad batch of expired 120 Tri-X, but this time taken at EI 200. Only signs of print-through on these negatives were in the inter-frame gaps.

[EDIT] Home dev in HC-110 dilution E.


Black and white photo in portrait format, showing a towpath and the canal to the right running from the bottom of the frme to the centre, where they curve away to the right. Buildings are visible near the curve, and two distant figures are walking on the towpath. A tree overhangs from the left.
ChrisR

Stratford canal again.

, Tri-X (expired, bad batch), EI 200, home dev in HC-110 dilution E.


A muddy canal at the bottom of the image dimly reflects two houses backing onto the canal, and the trunks of two closely-planted silver birch trees, bare of leaves. Black and white portrait format photo.
May 06, 2024, 06:29 AM·Public
0boosts·13favorites
Public
ChrisR

The river Avon with swans and a big wheel.

, Tri-X (expired, bad batch), EI 200, home dev in HC-110 dilution E.


Black and white portrait format photo of a river. On the far side and dominating the skyline is a big Ferris wheel against dark moody clouds. There are bare winter trees in front of it, with a half-timbered boat house. Part of a bridge can just be seen to the left. In the foreground several swans, some immature are swimming from right to left.
Public
ChrisR

Stratford swan sculpture.

, Tri-X (expired, bad batch), EI 200, home dev in HC-110 dilution E.


Black and white portrait format photo showing a stainless steel sculpture of two swans greeting. They are on a four-legged plinth set in a pool. There is a group of people chatting on the lawn behind. Beyond them to the right is the bulk of the RSC Theatre, under a dark cloudy sky.
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ChrisR

Stratford church, across the river. [Edited for typo]

, Tri-X (expired, bad batch), EI 200, home dev in HC-110 dilution E.


Black and white portrait format photo showing the tower and spire of the church at Stratford, across the Avon, under a moody sky. In the foreground is an ornate bench under a willow tree.
Public
ChrisR

Hanging basket window flowers in the sun.

, 44K 58/2 lens, at box, home dev in HC-110 dilution B.



Portrait format black and white photo shows a shuttered window in a brick wall almost obscured by a large flower basket hanging from just above. There is a small gable end immediately above, with some interesting decorative detail, looks like tiles with small circles. Above that, a tiled roof. The hanging basket is casting a strong shadow down and to the left, in the afternoon sun.
Public
ChrisR

Inside the Castle.

, M 35/2 lens, Kentmere 400, yellow filter,, home dev in HC-110 dilution .


Black and white photo showing massive stone walls from inside the Castle. The walls seem almost to be stepped from lower to the right and higher to the left, where tall stone windows can be seen. A wooden structure of steps near the centre allows visitors to climb to the top of the middle wall.
Public
ChrisR

Castle doorway in the rain. Looking through to the "Elizabethan garden".

, M 35/2 lens, Kentmere 400, yellow filter,, home dev in HC-110 dilution .


Black and white photo showing massive stone walls and floors inside the Castle. Through an arched doorway down some steps in the centre a statue and an aviary can be glimpsed in the garden. The stone floor is wet from rain and reflects the (Norman) arch of the doorway.
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ChrisR

Terrace and pergola.

, M 35/2 lens, Kentmere 400, yellow filter, home dev in HC-110 dilution E.


In the left half of this black and white photo a terrace with hedge to the left and a wooden balustrade to the right leads towards an elaborate vine-covered pergola. To the right is a bare winter tree; overhead are moody clouds.
Public
ChrisR

Atlas Fountain.

, M 35/2 lens, Kentmere 400, yellow filter, home dev in HC-110 dilution E.


Looking up at a marble fountain (not working) representing two Athlants holding up the world, against a moody sky. Black and white photo.
Public
ChrisR

Two swans!

, M 35/2 lens, Kentmere 400, yellow filter, home dev in HC-110 dilution E.


Black and white photo of a small lake with winter trees beyond. By the near shore of the lake, a white swan stands in the shallow water. On the far side, at the right hand end of a reed bed, its mate sits on a nest, barely seen.
Public
ChrisR

Mud (we had a wet winter!).

, M 35/2 lens, Kentmere 400, yellow filter, home dev in HC-110 dilution E.


Black and white photo showing part of a field with tractor ruts in the mud filled with water. There are bare winter trees by the fence line to the left, and heaps of material further in. A few fluffy clouds in an otherwise clear sky.
Public
ChrisR

Blossom.

, M 35/2 lens, Kentmere 400, yellow filter, home dev in HC-110 dilution E.


A small branch with blossom against an out of focus background in this black and white photo.
Public
ChrisR

Abbey Field trees, late winter afternoon.

, M 35/2 lens, Kentmere 400, yellow filter, home dev in HC-110 dilution E.


Black and white photo showing winter trees in the local park. The nearest one almost seems to reach out to embrace the others. It is casting a long shadow towards the left of the viewer.
Public
ChrisR

Garland on the Church door.

, M 35/2 lens, Kentmere 400, yellow filter, home dev in HC-110 dilution E.


Black and white portrait format photo showing a garland hanging on an old door with ornate ironwork. The garland bizarrely features almost a dozen eggs!
Public
ChrisR

Round the back.

, M 35/2 lens, Kentmere 400, yellow filter, home dev in HC-110 dilution E.


Black and white photo showing part of the back wall of some shops. There are five air conditioning units and several vents set in the brick wall, plus a sign reading "PRIVATE PARKING, Clamping in operation, STAFF PARKING ONLY".
Public
ChrisR

Chapel.

, K 55/1.8 lens, REFLX LABS XX at EI 200, yellow filter, home dev in HC-110 dilution E.


A path leads up to (and past) the porch of a small chapel made of brick. The slated roof is damp. A gravestone is visible at the left, overhing with trees, and a bench sits against the wall to the right. Black and white photo.
Public
ChrisR

Brandon Marsh 1

, K 55/1.8 lens, REFLX LABS XX at EI 200, yellow filter, home dev in HC-110 dilution E.


Black and white photo showing a tree on a small island reflected in a pond. Other trees the other side of the pond, and a few stray branches creeping in top left and top right.
Public
ChrisR

Brandon Marsh 2: geese.

, K 55/1.8 lens, REFLX LABS XX at EI 200, yellow filter, home dev in HC-110 dilution E.


Two geese on a small lake with trees behind. The ripples made by their progress interlock across the water. Black and white photo.
Public
ChrisR

Brandon Marsh 3: boy on a bench.

, K 55/1.8 lens, REFLX LABS XX at EI 200, yellow filter, home dev in HC-110 dilution E.


Framed by two tree trunks, a bench is placed in front of a small lake with trees reflected from the other side. A small boy sits on the bench, his back to us, his feet barely touching the ground. Black and white photo.
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tomnorthfilm

@carusb Beautiful tonalities. The grain rendered nicely in dilution E.

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ChrisR

@tomnorthfilm Thanks Tom. I've dumped my remaining FX39 and decided I'm going all-in on HC-110 until I use up my 2018 bottle, wondering if I should just stick with dilution E everywhere! FP4 times could get a bit long though...

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tomnorthfilm

@carusb Sounds like a good plan. I like dilutions/film combos that give me development times in the 8-12 minute range. I like dilution B for 9 min with FP4 at box. With Foma 200 at box I use dilution H for 9 min. The only combo I can think of that I regularly use that falls outside those parameters is FP4 at box in FX39II for 6 min with the 1+9 dilution. That doesn’t count when I push films. Some of those time get more excessive.

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ChrisR

@35millimetre Thanks Charlie. Almost didn't post, then decided to see if a slightly tighter crop worked better. It did!

I love this sort of stuff, and take loads, but the challenge is turning it into an actual photo rather than a record shot... [EDIT: Aaaargh I used the S word and can't think of a better way to word it!]

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Charlie

@carusb I did think it looked like the cover of an album! Has a slightly abstract feel as well though, I love the squares all over the wall. A success!

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tomnorthfilm

@carusb What are your thoughts on XX in HC110e? What time did you use?

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ChrisR

@tomnorthfilm Really enjoying XX. Last couple of years I used a 2 rolls of Cinestill BWXX, one lab-devved in IlfoTec DD, the other I did in FX-39 II. Both good. This REFLX roll was in HC-110 E, & a 2nd one lab-devved in Tri-X but I don't have that film back yet. The time I wrote on my dev spreadsheet for XX at 200 in E was 9 min 36 seconds (it says "Calculated" beside it), but I do remember thinking that was wrong and hand-writing a shorter time on the printed sheet, at home (but we're not!)

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ChrisR

@tomnorthfilm Just reviewed this whole roll, and yes, I really like XX at EI 200 in HC-110 dilution E! (Some of then photos, not so much, but that's how it goes...)

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ChrisR

@tomnorthfilm Although we're not yet home, I was time-wasting on my phone while waiting for ThingsTo Happen, and checked the MDC app. It gives a time for Cinestill BWXX in HC-110 1+47 at 20C as 8 minutes, which I'm pretty sure is used as my base for the REFLX DoubleX (less 15% for the Rondinax).

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tomnorthfilm

@carusb I did order up a bulk roll of Double-X from Ultrafine for my next bulk loading session. It is more expensive than Foma 200, but not outrageously so. It is in line with the HP5 bulk price.

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